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DAILY diarist 2 Interview with Elena Dudin

Dear friends / os DIARY OF A TEENAGER! I

Cosnava, scribbler and creator of disparate worlds:)

I wrote because my head is hanging around the idea of \u200b\u200bproposing to the editor of Diario (Ricardo Esteban, which also owns the publisher of comics Dibbuks) have a contest to choose the co-author of DIARY 2. I am a lover of collective works. In fact, one of my earlier work, the graphic novel A GOOD MAN (Glénat, 2009), had to with 10 illustrators me the script. For if you do not know, I pass a link to the cover of the newspaper culture PUBLIC few months ago: https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhud1rQHpCYkk1nY0j3ESx9AYwloiwC6gwqXtZGUJh6Wb4saYz9zqeJ8tJBC1awC5f_y_-uE6_-dgGBVmuChqKq8gC3kAzRW4JgDqLB1PYDVH5LmeYAzxz1cexerOnBjUHeW6cy7K5ZZj_T/s1600/publico3.JPG

I really like these collective works because they end up being a melting pot of ideas from different points of view to enrich the work, and therefore Eva Rubio asked him to do a chapter on DAY 1, as a first step to a series of collected works, especially targeted at young audiences.
had thought of organizing a contest to choose the other two authors CHAPTER 2. Eva Rubio (if you feel like it lol) would be an author because a character has the beginning of his story in 1 st person at the end of the first part. But would lack two writers, one that would make a 3 rd party and another person would write a second piece in 1 st person. I myself do not appear as an author in the second half but only as a driver of the project. Each of the authors would give a very basic page explanation of what the plot is going and what needs to happen in broad terms, the author would choose characters, situations, plot ... everything else.

The idea would be to choose 10 topics related to the first part and among the people to submit short stories about the 10 themes selected, choose The two winners, apart from perhaps the best story published in each issue.

I do not know how you see the idea. Any madness? Do you think many people will sign up? Have you already done something similar? I am very interested in collective works and I think it is a way of discovering new talent, apart from that I have thousands of ideas and I need time to develop and be nice to others, from the minimum principal idea that I would would, to develop their own ideas. In fact, DIARY is a preliminary way of future works: I have a novel to my agent (Sandra Bruna), already finished, I planned to culminate in a separate volume as the old books you choose own adventure, with seven different end-seven authors and / or complementary, with each author knows what he is doing the other.

Anyway, tell me. If I see that many people are interested, I propose that the editor and organized the contest. This link

forums daily, commenting on the case can go if you see interesting!
http://www.facebook.com/pages/Diario-de-una-adolescente-del-futuro/175752199102630?v=app_2373072738 # / topic.php? Uid = 175752199102630 & topic = 311

cosnávico
A hug!

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Another

Saturday 20 November. Santiago prepared. The kids arrive. Intention: to share and live together in a small space is enlarged when the wills are collective. Designing an activity that has more to do with a decent future a momentary distraction. Holding the belief that culture is forged between all the "Popu" is to "lower" culture, but to collect, organize, disseminate and defend it. Learning opportunities are endless in diversity. The expressions of solidarity are profound. The female students of the group "EducaciónParaLaLiberación" so find each Saturday almost up early to get to the Villa La Vaquita pitch, picking up the kids, house by house and accompany them on the long walk of over twenty blocks to the library.

hearts merge into a single proposal: live around books and new technologies. Because we do not believe all the stories and because we are willing to build new, with this new youth that has nothing to do with youth adormercida or anesthesia that made us believe it is Argentina. Because there are other youth that puts the soul into projects like these, where there are children who have nothing more and nothing less than all hope for a better future.



When they get to the library is a party. And we would have a table and chairs for everyone, but that's the least important, or yes. Because they can not meet all the goals when we have to be very careful to pass that path bondys. The floor is the place where we sat, no chance to write because there is nowhere to establishing the role, nor where lay the table. It is a library in a garage.

boys and we can still resisted, not afraid of the weather or the cold that we had in August when they pulled the workshops, or fine mist ... here we are, firm, and for fifteen years to hear those who want to hear, for those who want to believe that they create. Give them a book and give them the opportunity to be free. Paulo Freire's teacher shouted it from the rooftops and many did not believe him. We do, despite the garage. When we ask: How and why the public library? And for this: to sustain a conviction, read us free. Learning to read a world is learning to write again, to build, according to our own claims and beliefs. So we are, so we, so we are no longer in other areas, and so much more, we invite you to become involved in each project which recognize public library nearby, identified and included. De Ushuaia a La Quiaca, where a public library, there is hope. Help us support this project and libertarian citizen. About Us.
share a piece, moments of détente between the coordinators of the workshop when advantage to plan, plan further action. And the elves, tiny invaders full of tenderness, do their work: they appropriate the space and begin to call their own. For them work for them we hope the larger project: the building itself.
http://www.youtube.com/watch?v=37-iMUFJeds

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Hi, Elena, happy to exchange a word with you. You are a wonderful illustrator.

Hi Javier.

Thank you for your interest in me in my work and thanks for your kind words. I also delighted.

First, obvious question. Are you the girl on the cover of DIARY OF A TEEN? Diving into a website in Russia found this picture ( central image below ) and, at least, sobering. Are you, right? Not understand anything said on the web because most were in Cyrillic but certainly it seems!

Ohhh Nooo I am not, nor is this the model I used. Sorry not for nothing all the work of "espionage" I'm afraid you've had to do. You control the photo of the model used and the owner of the stock link.

Until recently, your identity was a mystery book on the internet and almost nonexistent. Moreover, I found on any website that speculated if your name was imaginary and ultimately yourself you appeared in a post explaining who you were and where they can see adding your work, take the opportunity to add http://elenadudina.deviantart.com/ . Would you like to be surrounded by an aura of mystery as the women you draw?

hahaha ... for nothing. Not trying to be Banksy. I have my picture on dA, my email, I have my FaceBook, I answer several interviews like this every month ... In short, in all pretend to be a little "enigma." I am very accessible only thing a little shy for my things and also, I do not have a life as "exciting" to fantasize about it ...

The cover illustration of DIARY OF A TEENAGER is called "Hummingbird." What can you say about her?

often the case that my work comes from a photo of a model to me "trap." I feel the need to do something with it. To give life. This was one of those cases.

think I am not alone in thinking that your illustrations are a cane! Are you going to release a compilation book? Something I thought I heard about it. Is it true?

Thanks again Javier. Well, something he "heard" me too but so far nothing. There is no discussion on the subject. Actually I guess I can make a book just with my photomanipulations. Do not know who may be interested in buying something. A few months ago a girl wanted to write short stories about some of them and publish them. I think it did not come out as she expected and, at least for now, I have not heard anything the project.

How do you like to call your work? "Enlightenment? Photomanipulation "as they call others? Photographic Art "? "Art simply?

Art seems too big a word to define what I do. I think they are "simple" photomanipulations. It is true that more and more painted, illustrated, but photomanipulations. What if I try is that they are not merely "cut and paste" Stock photo. Intant them to life, telling a story ...

What about other national artists that move at close to yours, like Victoria Frances and Luis Royo? Do you have a reference in your work, someone you'll set when you started?

Not to sound proud but had no reference. Neither had, nor what I have. These and other names I have been known over time. The people I related to them and their work without further ojeé. I am nothing unusual.

to me what interested me was support, not works. I've always drawn. Since childhood he had that ability. As a teenager I began to paint and sculpt a few years ago. When I discovered photomanipulation I realized it was an extended summary of everything he did and had. Could use real elements to, manipulate, create a new reality. That's what captivated me, the media, not works.

Anyway, I admire them both. I hope someday reach his level.

I think I speak on behalf of many when I say that your work is really impressive and we're sure you'll soon be an artist very, very valued and much better known. Are you satisfied with your current technical level? Want to experience? "Go further in your art?

Thanks again Javier.

modest I do not want to sin again but that I'm "almost" starting. Really, these kinds of comments seem to refer me to someone else. I think mastering the techniques but I still have a long way.

I want to go painting / illustrating increasingly, create my own stocks, again taking lessons from my dear Professor Ramón Teja. Almost everything that is thanks to his tremendous knowledge and his love of sharing and teaching. In short, I repeat, I still have a long way.

Tell us about your future projects, apart from the book collections. What would you do in a few years? Where do you see? Where are you getting at?

I have many plans on the personal, artistic and professionally but I am very superstitious and I do not talk to them before they fulfill.

I read that you're married to a English and have a to hij. You're originally from Russia. Tell us about your country, where they were born, of ours, the differences between them and anything that evokes. Are you homesick for your country or you have become Madrid and go around the world eating boiled tripe and toast?

My father was a soldier, fighter pilot. Every two or three years, I changed stations. I was born when he was in Estonia today. Then we went through New Earth (in the Arctic), Latvia etc. I got married and we moved to Siberia. Seven years of cold and neglect. My daughter was born there. Is it a good one from that period. My roots are deep in Russia, 600 km south of Moscow, but virtually nothing me "tied" to there.

8 years ago, a cousin of mine invited me to come to Almería. Was there a few months and came to Madrid. Today I met my husband (in English, saving you the question) and I do not move here ... especially now that we have definitely brought my daughter to live with us.

I love your country. The people are very similar to Russian. You have same sense of humor. I like to join together with friends and enjoy. Like the Russians. And I love your food, your cities and old towns ... as I said, from here and I'm not moving.

A pleasure to have interviewed, Elena. I hope that soon we will meet in person in Madrid, in a presentation to prepare us the best of Ricardo Esteban (Ilarion editor). I will bring my wife, you bring your husband and your hij to :) A big hug from Asturias!

a pleasure for me too. I hope you continue to enjoy what you do and you get the recognition your talent and dedication. See you soon.

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Learn Reading Workshops in the UNC library

popular libraries need librarians. But the school, university, institutional, academies, documentation centers, cultural centers, primary schools ... Finally .. multiple agencies and institutions increasingly see the need to have this professional, able to collect, organize, disseminate, create and prioritize the information, while institutions.

institutions are increasingly realizing that not enough good will and sometimes the volunteers themselves, people who come to work jointly with a public library or the library in forming a neighborhood center, a church, a garden infants, soon realize they need tools, knowledge, guidelines, rules that structure work under an order that streamlines and streamlines the task and finding the information .... That's what the university.

In Cordoba, the race has a library with three years as technician, which allows rapid and specific work output. It's about talking to any librarian, received or advanced student of the race and you will notice that we sobreocupados. Almost all librarians know, are two to three jobs. The race can achieve the degree of Bachelor of documentation, which prioritizes the profession and opens a wide field of possibilities.

So, do not miss the National University of Cordoba, more specifically the Faculty Philosophy and Humanities of it depends Library School. Those who live in the same city, or near a race with broad prospects and job prospects.

Many thanks to Maria Isabel Gambarte who sent us the poster for the dissemination of the race.



One final thought from our perspective of public library: the librarian for us is much more than a professional or a manager of information, especially social subject is involved in a genuine field little explored and exploited: the cultural management, citizen participation, providing opportunities for free expression and democratic, knowledge sharing for collective learning that creates a true civic construction.


And above all a reader, because it promotes books and reading, not only dealing on the shelves to accommodate them, incorporating it into databases, digitize, catalog, classify ... also know and learn every day of readings, writers, literature, and spreads and has the miraculous ability to spread his passion for reading. But as we always say, in order to disseminate readings must be read and read first must find the true flavor, taste it with pleasure, as the librarian "Heavy", auquel that promotes his passionate taste reading of the most passionate, but watch it here in this nice videíto. Enjoy!

http://www.youtube.com/watch?v=vcKweSfbPnY


(Although we disagree with the initial theme of the poster, because for us the information is not management, but it is shared and spreads, facilitates the appropriation of information ... as the term "manage" is closer to business concepts and for us the library clearly differs from the company, as we understand it as a living space meeting city, nor do we conceive as disseminators of "culture" we delivered the cultural diversity meeting for genuine democratic life and above all, because we believe that the library is an opportunity for growth of the company, the latter considered indisputable ... but welcome the initiative of the School of Library and bet on the spread of its offer student and I wish I made more emphasis and in any case, yes use business resources and methodologies ...) s